(/) Slide Up (\) Slide Down (h) Hammer On (p) Pull Off (b) Bend (r) Release (v) Vibrato Stave 1: E|------------------------------------------|------------ B|------------8-----------------------------|------------ G|-------5h7-----7/8\7p5--------------------|------------ D|--5/7-------------------7p5-----5/7\5-----|------------ A|-----------------------------7---------7--|--6p5p3----- E|------------------------------------------|---------5-- http://www.guitartabcreator.com
Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.Here’s a nice ‘middle register’ lick which can be used a quick flurry before going back to the bottom root note. The chromatic progression from the 5th down to the minor 3rd is a classic move. While the majority of pentatonic melodies in this box are expressed on the highest 4-strings, this lick demonstrates how you can open up the lower end of the box position. The coupling of two slide flourishes on both the G and D strings here are a perfect example.